Taylor Swift’s fans are some of the most loyal and dedicated out there. I know this because I’m one of them. And, well, have you ever been on the Internet?
Still, we managed to create a list ranking all of Taylor Swift’s studio albums, including her newest release, Speak Now (Taylor’s Version).
Before you start coming for me for daring to put such a controversial ranking together, I’ve been a die-hard Taylor Swift fan since her hair was curly and her voice sounded more like Dolly Parton than Billie Eilish.
I even made a post on Facebook in 2011 about wanting to become her because “she’s awesome.” How could anyone argue with such a concrete data point? So, as we approach her upcoming Eras Tour, here is the ranking of all 13 of Taylor Swift’s albums.*
In the original version of this article, I didn’t include the “Taylor’s Version” albums. It just didn’t feel fair, since it gives some of her albums double spots on the list, and the new records are still an unfinished project. But after thinking more about it, it doesn’t feel fair not to include them as their own separate entities.
So, I’ve updated it. Also, because all of you were complaining. On second thought, maybe this is setting up a bad reward mechanism. Anyway, on with the ranking!
*Opinion may change at any time.
Taylor Swift’s Studio Albums Ranked
13. Taylor Swift (2006)
Her debut album features one of my favorite Taylor Swift songs of all time, “Tim McGraw,” along with her first true radio hit, “Teardrops on My Guitar.” However, it also includes a few of the worst.
“Picture to Burn,” while popular at the time it came out in 2006, also included a homophobic line that essentially amounted to calling your ex gay because he broke up with you. Thankfully, she’s since changed the lyric. How do we get her to have the same “aha” moment around her reported use of fossil fuels?
In much of the album, the lyrics are simplistic. Case in point: in “Stay Beautiful,” she croons, “Just a small town boy and girl / Living in the crazy world.” When you’re not sure if the song is Taylor Swift or Journey, the songwriting is probably not at its peak.
It’s a better debut than we could produce. But it’s definitely not her best work.
12. Reputation (2017)
Reputation is the dark horse of Taylor Swift lore. Some people adore the album, others can’t stand it. While Reputation holds a special place in my heart because its tour was the first time I saw Ms. Swift live, the album doesn’t hold up to her other work lyrically or sonically.
There are highlights in the album, including “Delicate,” and “…Ready For It?” But the lows outweigh the highs, with songs like “End Game” and “So It Goes…” that, lyrically, are below average.
On her report card, we’d mark this as a “Approaching Proficiency.”
11. Lover (2019)
It’s at this point in the list where things start to get really challenging. Lover is a good album. But, here’s the thing. You have epic, iconic tracks like “Cruel Summer” and then total duds like “It’s Nice to Have a Friend.”
Every song is either an absolute fave, or one of my least favorite. And whoever signed off on “ME!” needs to be fired.
That being said, we have to give credit where it’s due: “Lover,” “Death By a Thousand Cuts,” and “Daylight” are peak Swift songwriting. Even though the traffic lights around me are suspiciously silent.
10. Fearless (2008)
An argument could be made Fearless is only here because of my nostalgia towards it. And because of the excitement resulting from it being the first “Taylor’s Version” remix.
I know that Fearless, much like the debut album, features some of the more simplistic lyrics and themes in Swift’s repertoire. I don’t care. “Love Story,” “You Belong With Me,” and “Fifteen” are all cultural artifacts at this point. Please don’t let Kim K get her hands on them.
Fearless features so many songs that have held up over the years that it outweighs uninspired tracks like “Breathe.” Plus, it won Swift her first Grammy award for Album of the Year and marked the catalyst for her meteoric rise to fame. “The Other Side of the Door” will forever be an underrated bop.
9. Speak Now (Taylor’s Version) (2023)
I am preparing myself for the deluge of hate comments, but my skin is thick and my opinions are formed. Here’s the thing: Speak Now is one of my absolute, forever favorite Taylor Swift albums. And the new editions of the songs just… aren’t the same. Because they’re new. That’s how time works.
In the original version of “Dear John,” the listener is moved to tears because of how clearly Swift’s own raw emotions come through in her voice. In the new edition, it sounds like she’s wistfully reflecting on the foolish days of her youth with a smirk and a wink. Which is valid. Of course she’s not still upset about things that happened to her when she was 19. But it changes the effect of the songs, and so far, I prefer the originals.
Keep in mind, at the time of this writing, the album’s been out for about 12 hours and I spent eight of those sleeping, so my opinions can certainly change.
Before you bring out your pitchforks: I am absolutely thrilled for Taylor that she gets to own these versions of the songs, and I will continue to listen and hope they grow on me. Oh, and I’m pumped about a few of the “From the Vault” tracks, including “Timeless,” “Foolish One,” and “Castles Crumbling,” which features Hayley Williams from Paramore. Onward!
8. Midnights (2022)
Midnights witty lyricism, catchy melodies, and dry humor wraps the best of 1989, Lover, Reputation, Speak Now, and Folklore all together in one. It’s an aural gift for us, and a hefty paycheck for her.
Midnights infuses dreamy pop synth tunes like “Lavender Haze” and “Snow on the Beach” with playful, exciting tracks like “Karma.” It’s just plain fun to listen to. And, her lyrical talent is showcased in “Would’ve, Could’ve, Should’ve” and “You’re On Your Own, Kid.”
It’s pretty much a no-skip album, with the exception of some of the 3am edition tracks. (We could honestly do without Paris and Glitch.) The only reason this isn’t higher is because it feels more hodge podge than some of her other albums. Because the tracks are from different points in her life, it feels less like a distinct “era” than her other albums.
7. Fearless (Taylor’s Version) (2021)
Aside from the opportunity to relive past eras with Taylor as she re-records her old music, the songs just feel more mature, which is both a blessing and a curse. Part of that is due to Swift’s vocals being stronger as her voice has aged over the years.
The Taylor’s Version additions to Fearless, known as the “From the Vault” tracks, are exciting, as they’re songs that she wrote during that time but that didn’t make it onto the original record. Fearless (Taylor’s Version) was our first chance to hear six new songs. We can forgive her for leaving off most of them from the original record, but “Mr. Perfectly Fine”? I needed that back in high school, Taylor!
Another addition, “That’s When,” which features Keith Urban, is just pure joy incarnate. And some of the original Fearless tracks that weren’t faves of mine originally (like “The Other Side Of The Door” and “Come In With The Rain”) earned a new place in my heart. Specifically in the left ventricle.
6. Evermore (2020)
Evermore is an inventive album that tells an intricate web of stories, most of them fictional. Listening to Evermore feels like stepping into a fairy tale. Hopefully not the one with murderous mermaids.
The first five tracks, from “Willow” to “Tolerate It” are absolute perfection. It’s the second half of the album that starts to lose me, with songs like “Happiness,” “Dorothea,” and “Coney Island” that are just…skips. But “Ivy” is an absolute gem. Please don’t come for me.
Overall, it’s a good album. But Taylor Swift is her own fiercest competition, and so the ranking must go on.
5. 1989 (2014)
1989 was Swift’s first official pop album and it broke away entirely from her country roots. It also nabbed Swift her second Album of the Year Grammy, making her the first solo female artist to earn the crown twice.
“Blank Space” is one of the most memorable songs on the album, with an epic music video to boot. “Style,” “Out of the Woods,” and “Wildest Dreams” are also highlights, especially since some of those are about Harry Styles. We can’t help but swoon.
However, because this album was a radio favorite, I also never want to hear songs like “Shake It Off” and “Bad Blood” again, which drops the whole record down a few pegs.
4. Red (2012)
Red toyed with the idea of embracing pop music, but the songwriting speaks for itself without showy, distracting beats. It gifted us with “All Too Well” (before the 10-minute version came around and stole the throne), which is Swift’s single greatest song to date. We’ll take no arguments to the contrary at this time.
On top of that, Red hits hard from its very first song, “State of Grace.” Tracks like “Treacherous,” “Holy Ground,” and “Begin Again” continue to deliver her masterful ability to weave together words and encapsulate feelings without being cliche. Okay, except the part when she dated a Kennedy.
The only problem with Red is its inconsistency. Swift brings us from emotional lows in “I Almost Do” into pop-infused highs like “I Knew You Were Trouble” without giving us time to breathe in between.
3. Folklore (2020)
Folklore brought a new wave of fans to Taylor Swift’s music. (Hi, welcome!) It’s her most creative and imaginative work to date, and the record tells tales through emotionally vulnerable songwriting and a different musical approach. If “melancholy” wasn’t a genre before, it is now.
It was her third record to earn Album of the Year, which made her the first woman to win three times, and the fourth artist to ever earn that honor. The other three are Frank Sinatra, Stevie Wonder, Paul Simon. We’re feeling great about our participation ribbon from fifth grade field day right about now. We don’t think Sinatra had one of those!
“Cardigan,” “August,” and “Betty” make up three parts of a beloved story line about high school love, telling the tale of a love triangle from the perspectives of the girl, the boy, and the other girl. It’s fun, it’s different, and it gave us trust issues. Thanks, Taylor.
2. Speak Now (2010)
Speak Now is an absolute masterpiece. It’s also the only album that Swift wrote without co-writers, as a move to silence the haters who didn’t believe she really wrote her own music. Writing a whole album as an “eff you” is the level of petty and talented we can only hope to one day be.
From the overly emotional, teenage drama encapsulated by “Dear John” and “Last Kiss” to the timelessly relatable feeling of falling in love portrayed in “Enchanted,” the album has something for everyone. Unless you’re not a teenage girl. In that case, good luck!
Speak Now is the other no-skip album in her lineup. Every song from the sweet, imaginative “Mine” to the impactful, inspiring “Long Live” is worth listening to, and screaming along to every word. Now please excuse me while I go don my purple ball gown and slam the door to my room.
1. Red (Taylor’s Version) (2021)
“Taylor’s Version” of Red is my absolute favorite album of all time and deserves its rightful crown. Sorry, Rhaenyra.
On Red (Taylor’s Version), Swift gave us nine new songs, plus all the re-records, and several of them became instant favorites. “Better Man,” which was written by Swift but originally recorded by Little Big Town, never fails to evoke a bout of ugly crying.
“Message in a Bottle” represents the other half of Red: the highs of being in your early twenties (it doesn’t all suck). And “I Bet You Think About Me” is vengeful Swift at her best.
But “All Too Well (10 Minute Version)” is where the conversation begins and ends. I remember when Red came out. I was 17, in love for the first time, and then going through my first heartbreak. When I learned of the extended version she wrote that was abbreviated for the original album, I anticipated and hoped she would release it for years. “All Too Well” was her best song, no holds barred. And the only way to beat “All Too Well” is with more “All Too Well.” (Sorry, neighbors!)
When she's not typing away on her laptop, you can find Laura working on her MBA at Boston College, listening to Taylor Swift, or sweating it out at an OrangeTheory class. Follow her on Instagram @LauraKristine21 and LinkedIn.
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This is atrocious
Nope. Didn’t even use the Taylor’s version – so not really relying on this article at all.
This person clearly doesn’t listen to Taylor and don’t even use the Taylor’s versions. This is a horrible ranking.
Didn’t*
I am about to curse you for Reputation ranking, but looking at how high you put Speak Now, yeah it was salvaged, NEARLY.. I still am upset with Reputation ranking.
Taylor Swift’s Midnight album ???? was highly anticipated, but sadly disappoints. ⭐️⭐️⭐️_ _/5
More than a couple of songs drop the awkward f*bomb and it just cheapens the music. Sure she’s no longer 15-yrs-old, but many in her fan-base are. And as a mom, I just don’t appreciate the album without a Warning ⚠️ sticker for language. It’s not typical Taylor Swift music and something’s clearly missing.
The snippets released Online gave me the impression that this was upbeat pop music, when in reality it’s pretty dark and depressing. First review left a strong initial impression. Certain songs will become favorite hits and give the singer/ songwriter due credit for overall album Artistry.
02:25pm CST
November 10, 2022
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